PAUL EMMANUEL
Essays

Pamela Allara
Shrouds on the Somme: Paul Emmanuel's World War I Counter-Memorial
Paul Emmanuel: Remnants brochure, Boston University Art Galleries, Boston, Massachusetts, USA, January 2016.


Shannen Hill
Wearing War, Silencing Soldiers: Art, the Body and Recovered Histories in South Africa
Offered on the panel State Censorship and State Sponsorship in Contemporary African Arts convened by Lisa Brittan and Gary Van Wyk, European Conference on African Studies, Paris-Sorbonne University, France, July 2015.


Clare Humphries
Material Remains: The Afterlife of Personal Objects
An project submitted in fulfilment of the requirements for the degree of Doctor of Philosophy
RMIT University, Melbourne, Australia, October 2014, pp 228 – 231.


Annette Becker
À guerre mondiale, art mondial
Voir La Grande Guerre – Un Autre Récit, Armand Colin, Paris, France, October 2014.
ISBN 978-2-200-28757-3


Dominic Thorburn
Borderline – Sweeping a Mind Field
Presented at ‘Borders & Crossings’ IMPACT 8 International Printmaking Conference, University of Dundee, Scotland, UK, August 2013.


Irene Enslé Bronner
The 'person without the person' in the early work of Paul Emmanuel.
De Arte, Unisa Press, University of South Africa (Unisa), Pretoria, South Africa. Volume 85, 2012, pp 42-58.
ISSN 0004-3389. (Hard copy only: link to Unisa Press website)


Pamela Allara
Diane Victor and Paul Emmanuel: Lost Men Lost Wor(l)ds.

Gender and South African Art in African Arts, MIT Press Journals, Cambridge, MA, USA. Volume 45, No. 4, October 2012, pp 34-45.
ISSN 0001-9933


Pamela Allara
Paul Emmanuel’s Transitions: The White South African Male in Process.
NKA Journal of Contemporary African Art, Duke University Press, North Carolina, USA. Issue 28, November 2011, pp 58-66.
ISSN: 1075-7163


Irene Enslé Bronner
Initimate Masculinities in the Work of Paul Emmanuel.
A thesis submitted in fulfilment of the requirement for the degree of Master of Arts of Rhodes University. (Hard copy only: link to Rhodes University Library online repository), 2011.
Document ID: 2108


Robyn Sassen
Under Covers: South Africa’s Apartheid Army – an Incubator for Artists’ Books
The Blue Note Book: Journal for Artists' Books, CFPR, University of the West of England, Bristol, UK, Volume 3, Number 1, Ocober 2008.
ISSN 1751-1712 (print) 1751-1720 (online)


Robyn Sassen
Of Circumcising and Circumscribing and Understanding Where I Fit In
Transitions, Art Source South Africa, Johannesburg, South Africa, 2008.
ISBN 978-0-620-41945-1


David Paton
The Sound of a Book: Sound as Generator of Narrative in the Reception of Selected New Media Objects as Books
Image & Text, No. 13, 2007.
ISSN 1020 1497


Robyn Sassen
Attention Seeking Images
IMPACT International Printmaking Conference, Tallinn, Estonia, 2006
.

Robyn Sassen
Navigating the Bookscape: Artists’ Books and the Digital Interface
Navigating the Bookscape: Artists’ Books and the Digital Interface curated by David Paton, Johannesburg, South Africa, 2006.
ISBN 0-620-37094-7


Julia Charlton
Drawing out of the Darkness: Contemplating after-image
Paul Emmanuel: after-image, Paul Emmanuel, Johannesburg, South Africa, 2004.
ISBN 0-620-32295-0


Lisa Cohn
The Lost Men
ITCH, Volume 1 Issue 1, Bell Roberts Publishing, Cape Town, South Africa, 2003.
ISBN 0-6203-1894-5

© paul emmanuel